Pietra Dura, XVIII Century (sold)
A fabulous Pietra Dura roundel, wonderfully vivid colours and expertly carved and inlaid.
Probably originally an inset table top, now cradled in a custom iron stand (removable).
Italy, probably Florence, 18th Century
Height (with stand) : 50cm
Width: 40cm
Diameter (withoutstand) : 38cm
£Sold
Pietra dura, or pietre dure, is an inlay technique using cut stones to create images. The stones are often highly polished and colourful, and can include marbles, semiprecious and sometimes even precious stones.
The work is loosely assembled and glued together piece by piece, so that the contact between each stone type is an invisible join.
In antique items, stability was achieved by grooving the underside of stones to make them interlock, and then the work was contained carefully within a ‘frame’.
Pietra dura has its roots in the ancient Roman style known as Opus Sectile. This was predominantly an architectural motif, used in floor and wall decoration, incorporating materials such as glass, marble and mother of pearl.
Pietra dura as we now know it first appeared in Renaissance Rome during the 16th century, and was especially popular in Florence, where Ferdinando I de' Medici, Grand Duke of Tuscany, established the Galleria di Lavori in 1588 to further the development of the technique.
Pietra dura items are generally crafted on green, white or black marble bases. The resulting panel is often completely flat, but there are some examples where the image was made in low relief, such as in furniture pieces.
Probably originally an inset table top, now cradled in a custom iron stand (removable).
Italy, probably Florence, 18th Century
Height (with stand) : 50cm
Width: 40cm
Diameter (withoutstand) : 38cm
£Sold
Pietra dura, or pietre dure, is an inlay technique using cut stones to create images. The stones are often highly polished and colourful, and can include marbles, semiprecious and sometimes even precious stones.
The work is loosely assembled and glued together piece by piece, so that the contact between each stone type is an invisible join.
In antique items, stability was achieved by grooving the underside of stones to make them interlock, and then the work was contained carefully within a ‘frame’.
Pietra dura has its roots in the ancient Roman style known as Opus Sectile. This was predominantly an architectural motif, used in floor and wall decoration, incorporating materials such as glass, marble and mother of pearl.
Pietra dura as we now know it first appeared in Renaissance Rome during the 16th century, and was especially popular in Florence, where Ferdinando I de' Medici, Grand Duke of Tuscany, established the Galleria di Lavori in 1588 to further the development of the technique.
Pietra dura items are generally crafted on green, white or black marble bases. The resulting panel is often completely flat, but there are some examples where the image was made in low relief, such as in furniture pieces.
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